30.10.15
29.10.15
ongoing columns from 1926 until 2015
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| Marcel-Louis Baugniet, 'Les orgues sur fond rose', 1926 |
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| Alighiero Boetti, 'Mazzo di tubi', 1966 Courtesy Galleria Christian Stein, Milano |
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| Jan Roeland, 'Twee doosjes', 1967 |
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| Manuel Felguérez, 'Untitled', ca 1970 |
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| Lucio-del-Pezzo, in the exhibition 'Geometrie', 1990 |
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| Per Kirkeby, pavilion at Middelheim, Antwerp, Belgium, 1993 |
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| Yaacov Agam, 'Peaceful Communication with the World', 2009, monument for World Games in Kaohsiung, Taiwan |
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| Lore Van Roelen, ‘Rechtopstaande objecten’, 2015, in ‘No Blossom No Moonlight’, Extra City Kunsthal, 2015 © We Document Art |
28.10.15
Hockney's pools
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| 'Four different kinds of water', 1967 |
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| 'A Lawn Sprinkler', 1967 |
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| 'Different kinds of water pouring into a swimming pool, Santa Monica', 1965 |
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| 'Sun on the Pool, Los Angeles', April 13th 1982 |
27.10.15
26.10.15
local vegetations
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| Jordy van den Nieuwendijk, Vehicular View On Local Vegetation, 2014 |
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| Berend Zweers, zonder titel, 1905-1910, autochrome, collection University library Leiden (source) |
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| Jordy van den Nieuwendijk |
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| Jóhanna Kristbjörg Sigurðardóttir |
25.10.15
24.10.15
Saul Steinberg, Masquerade.
Scans from the book 'Saul Steinberg, Masquerade', by Inge Morath.
Photographer Morath and artist Steinberg engaged in a collaboration in the years 1959 to 1963 by asking friends and acquaintances to wear paper bags drawn with fantastic faces and pose for their camera.
23.10.15
22.10.15
"We've been cloudbusting daddy"
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| Luis Camnitzer, 'The Discovery of Geometry', 1978 |
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| Linda Beumer, 'Sticks and Stones', publication |
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| Gerhard Richter, 'Wolkenstudie (Gegenlicht)' |
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| Jordy van den Nieuwendijk |
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| François Goffin, 'Feux d’artifice' from the series 'Les Choses simples', 2005-2008 |
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| Luis Camnitzer, 'The Invention of Rain', 1978 |
20.10.15
Fernand Leger again
"There was no telling who this head, or this leg, or that arm, belonged to.. ..So I scattered the limbs in my painting and realized that in this way I was getting much closer to the truth than Michelangelo did when he concentrated on every separate muscle."
- Fernand Leger