"Sometime during the summer of 1971, Philip Guston (1913-1980) began a visual narrative of Richard Nixon's life, a series of almost eighty drawings that caught one of America's most maligned politicians in a depraved, monstrous state. Titled Poor Richard, these caricatures play on the brooding, self-pitying character that Nixon exuded throughout his life. While much has been made in the ongoing interpretations of the radical content of Guston's late work of his brash betrayal of abstract painting and the New York School and his introduction of quirky, incongruous, cartoon-type figures and shapes around 1968-nothing quite approximates the mocking and satiric nature of these renderings of an American president. Their transgressive nature explains, perhaps, the deep ambivalence that Guston felt in pursuing his initial plan to publish the images as a book, and the reason they have remained almost wholly unknown to date. Like Guston's Poem-Pictures or the collaborations he effected with various writers during the last decade of his life, Poor Richard grew out of a friendship with a neighbor, Philip Roth, the novelist, who began living near Guston in Woodstock, New York, in 1969."
Excerpt from www.ubu.com/papers/balken_guston.html
You can browse through the book here: www.ubu.com/historical/guston/guston_nixon.html
|La conquête de l'espace. Atlas à l'usage des artistes et des militaries ('The Conquest of Space (Atlas for the use of artists and soldiers)') |
by Marcel Broodthaers, 1975.
"A tiny atlas measuring just 3,8 x 3,5 cm. Each page represents one of 32 arbitrarily chosen countries in alphabetical order. By representing the countries as equal-sized, unrelated black shapes, the little atlas negates its usual function of offering a truthful representation of the world. Broodthaers' atlas shows the countries for what they really are and underlines the similar problems they all face."
From the Herbert Foundation visiting guide of the exhibition "Carte du monde poétique. Films, Works and Documents of Marcel Broodthaers from the Herbert Foundation". Currently on display until November 15th.
|Aldo Rossi, San Certaldo Cemetery, 1971-1984, Modena, Italy.|
|Anne Deleporte, Peach, 2011, gesso on paper|
|Paul Klee, Clarification, 1932|
|Antonin Artaud, "poupou rabou...", 1945|
|Nevin Aladag, Pattern Matching Grey Beige, 2010|
|Dominique Petrin, #pizzaparty, Quebec, silk-screened paper|
More exhibition views here
|Yves Riga, Composition with heads and body parts, painting on canvas|
|Visited 'La Maison Van Gogh de Cuesmes', in Mons, Belgium. Vincent Van Gogh resided in this crooked, modest working-century house from August 1879 to October 1880. He slept and worked in a small room on the first floor, together with the kids of the owner.|
|January 1889, one of Van Gogh's Self-portraits with Bandaged Ear|
|September 1889, second version of Vincent Van Gogh's Bedroom in Arles. The painting depicts Van Gogh's bedroom at Place Lamartine in Arles, France, known as his Yellow House. It's one of the three authentic versions described in his letters, recognizable from one another by the pictures on the wall to the right.|
|In January 1890, Vincent Van Gogh's close brother Theo, got a son and baptized him Vincent Willem after his uncle and godfather. Van Gogh dedicated the Branches of an Almond Tree in Blossom to his nephew.|
|July 29th, 1890, Vincent Van Gogh died, Theodore Van Gogh died 4 months later. The two brothers were buried together in Auvers-sur-Oise.|