dripping drip drop

in Cónchar and Granada in Andalucía

paul klee in books and titles

the savoury and salty joys of life

color pens

Karel Martens: Motion

'Karel Martens: Motion'

This expo is part of 019’s Museum of Moving Practice

https://www.designmuseumgent.be/en/events/karel-martens-motion

de vuile was buiten hangen

Paul Klee analyzing himself

Abwägender Künstler (Pondering Artist), 1919

Analytisches Bildnis (Analytical Portrait), 1935

Der Zeichner (The Draughtsman), 1924

Empfinder Künstler (Feeling Artist), 1919 

Mich nicht unterschätzen (Do not underestimate me), 1933

All images taken at Zentrum Paul Klee, works are part of the exhibition "Paul Klee. Poet and Thinker".
Study on his 'selbsttbildnisse': www.zwitscher-maschine.org/paul-klee-selbstbildnisse-1919

Bären in Bern

Separate Ways. Karl-Heinz Adler and Hungarian abstract art

'Separate Ways. Karl-Heinz Adler and Hungarian abstract art'

in Kiscell Museum, a former monastery and church in Óbuda, Hungary.

"As his work was an example of abstract art, Adler was not allowed to participate in the official East-German art scene from the 1960s until 1988. At the same time however, his abstract geometrical forms made out of concrete were very popular decorations for facades and partitions; as a result, Adler’s architectural sculptures became a defining feature of the streets of Dresden and Berlin. Albeit a lot more subtly, but the dichotomy of banning abstraction in fine art but accepting it as a form of applied art was also characteristic of Hungarian cultural policy in the Kádár era. The exhibition explores a peculiar aspect of “Hungarian abstraction”: starting out from Karl-Heinz Adler’s geometrical architectural sculptures, it examines the ways in which geometrical abstraction appeared on Hungarian public buildings in the ’70s and ’80s."