17.11.14

Hungarian Cubes













"Hungarian Cubes. Subversive ornaments in socialism", edited and photos by Katharina Roters, published by Park Books, 2014.

"German-Hungarian artist Katharina Roters has produced a series of photographs documenting the ornamental patterns added to standardised dwellings in HungaryThe Hungarian Cube is a regimented type of home dating back to the 1920s, which can be found in many of the country's towns and suburbs. The buildings have become closely identified with post-war communism, and were often decorated by residents, creating an inadvertent protest against standardization." Read more about it here.


16.11.14

all by Denie Put

Put 35 Sculptuur de Callais, 2014
Put 3 Betonkliever, 2014
Put 22 Sunny, 2014
Put 66 Dromer, 2014
Put 12 Nen Diesel, 2014


15.11.14

walking around antwerp

the Unitas-Garden-Suburb housing project (1923-1932) in Deurne, by Eduard Van Steenbergen
private residence in Deurne, by Eduard Van Steenbergen
private villa in Deurne, by N. Kaplansky
V. Van Rossem house in Deurne, by Walter Van den Broeck (1932)
the Renaat Braem house (1957) - open for visits

14.11.14

earlier this week

Philae Probe sends back first photo from surface of comet
Window washers trapped on One World Trade Center
World tallest and shortest men meet on Guinness World Records Day

13.11.14

Portfolio of Piles






N. E. THING CO.
A Portfolio of Piles, b
ook edition of 555
Vancouver, Fine Arts Gallery, University of British Columbia, 1968

"Piles are not pretentious--they are just there being beautiful and doing their thing. Why piles? The structure is usually determined either by the object alone or the object plus the piler's imagination or lack of it. Naive piles usually are the greatest. It's the molecular structure and physical characteristics that give pile materials their nuances of stack ability."


9.11.14

Piss buckets






Vaast Colson with "CONTAINERS & ACOUSTICS. We’re in it together, you’re in it alone"
Günther-Peill-Stiftung stipend 2012–2014
at Leopold Hoesch Museum - 07.09.–23.11.2014

8.11.14

Ger van Elk toasting to himself




Pictures of Ger van Elk's work 'The Symmetry of Diplomacy II - Peking, 1972', taken during my visit to a collection presentation at S.M.A.K. (Ghent), with works by Marcel Broodthaers, Stanley Brouwn, The Red Crayola, Hanne Darboven, Jan Dibbets, Hans Peter Feldmann, Gilbert & George, Hans Haacke, Giulio Paolini,... A great study on the exhibition ‘Art in Europe after 1968’, which Jan Hoet made in 1980. 



The Red Krayola, silkscreen on paper, 1980

6.11.14

the Shadow of the Artist

Keith Arnatt, Self Burial with Mirror, 1969

Keith Arnatt, Invisible Hole Revealed by the Shadow of the Artist, 1968

4.11.14

"Fiorucci Made Me Hardcore" made me high






The Guardian about Mark Leckey's video work, Fiorucci Made Me Hardcore (1999): "Fragments of 'found' video footage from British nightclubs are spliced together, repeated and slowed down, while a perfectly edited collage of ambient sounds – snatches of rave tracks, crowd noise, men bellowing across provincial shopping precincts – filters in and out. There's a loose chronology – northern soul, soul weekenders, casuals, acid house – but the two defining themes of the film are timeless."
Currently on view at Wiels.

3.11.14

Edward Ruscha eating Crackers






Edward Ruscha's book Crackers (1969) is based on a short story by musician Mason Williams, “How to Derive the Maximum Enjoyment from Crackers”. The book served as the basis for Ruscha’s 1971 film “Premium”. The photographs feature a couple on their first date, ending up in a cheap hotel room. He covers her with lettuce, tomatoes, cucumbers, and olives, and proceeds to pour a large bucket of salad dressing over her body. But the man forgot crackers to top his “salad” and leaves the woman in the bed while he goes to the store and purchases a box. The final scene shows the man having checked himself in to a fancy hotel room, lying alone in a much nicer bed, smiling and eating his crackers. 
Pictures and more info: www.oliverjwood.com/books/crackers/ 

Avant-Garde in Belgium


Joostens, collage, 1922
Joostens, De Haan, 1920
Kiemeneij, Facade painting, Borgerhout, 1926
Peeters, Composition, 8 jan 1921 
La Mort du Docteur Faust, Studio Art et Action, Paris, jan 1928
(Musée de la Litérature, Nicole Hellyn, Brussel)

From Avant-Garde in België 1917 - 1929Frederik Leen, Brussels/Antwerp, Gemeentekrediet, 1992